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Sometimes. When I dance. I think of you.

I’m thinking about the way we cheat on experience with other experience---not in a bad way, though. I mean: the running of a finger across the page of oil pastel and the delicious dirtying where the colors overlap and collide. You, are eating a carrot while fantasizing about onion rings. We, are talking on the phone: you doing your homework, me trying to find my underwear. While I do a dance, I start remembering another dance. And then, maybe, I start to think of you.


Our efforts are recorded in the rich layering of memory. An idea that experience is not a single point. Present has many pieces including bits of the past, the future…dreams. And as the layers are added, I notice which are opaque and which are more transparent. Where do I get pulled that I didn’t expect to go? What is so strong that I lose sight of everything? If I engage the intricacies, I am in a new world that I couldn’t anticipate. Not an overwhelming awareness of everything I’ve ever known. Rather, a magic random draw of that which I never thought would go with this but since they are sitting here together…let me just take it all in.

I remember: she was wearing a green shirt or a yellow shirt. It’s strange I don’t remember. There was a dinner conversation about the difference between “pushing” and “yielding”. I’m in a dorm hall doing contact with psychology students. We’ve been practicing listening skills all day; it is interesting to know these things through touch. We are light, we hold our own, and we like direct mirrors: a forearm is met by a forearm, a hand is met by a hand. Beneath this dance, I feel another dance. My partner becomes someone else though this partner is still here. You and I---our last dance---we had stopped talking and finally could listen. You might not agree, but---three years in---I think this is our first conversation. That story, I never wrote that story, though I guess I’m writing it now. How we took the key rings apart and you took off your tall shoes for one walk around the block. I remember another dance somewhere else, and then another. I remember the texture of a stranger floor: dirt beneath plastic. I am there and also here typing and I am in the dorm hall leaning against all these shoulders melting together. Maybe we were each other’s bowl of frosting, each other’s favorite poison. Someone who would push back hard. And---sifting through layers of present tense---really I am just here typing at a beach house. Stacy is on the phone. I remember the way you like to fall asleep at parties. My psychology dance partner and I: now we are wiggling our fingers.

So…evidence? Maybe this paper is about abundance and being in many places at once. Maybe it is about loss: things only existing when we think of them and the passing nature of everything. Maybe we could try to nail something down: write it out, diagram, choreograph. But I think reality is a little more fleeting. Proven by nothing and nothing proven except what is right here right now. All that we have that we want to hold on to: it’s never going to be all here at once. However---memory, life. inspiration---it floods us…in ways we can’t understand. Our consciousness is the evidence and we become the historians---of the past, the present, the future---in as much as we can let ourselves feel.

Comments

Was I pushed? Or did I fall?

What does it matter?

It was my choice, alone, to be there at that very moment.

Life is a Tilt-a Whirl

father father, its just as you said,
now that the living out number the dead.

my Tilt-a-Whir life has Inbred Mountain Folk randomly throwing corn dogs at me.

yes, "historians of the past present and future in the here and now"...all and nothing always..the flow..You're so beautiful..thank you for capturing this..and causing me to pause and just be a while..

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